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X-WR-CALDESC:Veranstaltungen für Ensemble KNM Berlin
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DTSTART;TZID=Europe/Berlin:20240523T183000
DTEND;TZID=Europe/Berlin:20240525T160000
DTSTAMP:20260505T205027
CREATED:20240304T125650Z
LAST-MODIFIED:20240422T102843Z
UID:2600-1716489000-1716652800@kammerensemble.de
SUMMARY:reading music – Mexico
DESCRIPTION:Casa del Lago\, Kulturzentrum in Mexico City \n\n\n\n\n\n23 May\, 2024 Programme18:30  \n\n\n\nAdi Gelbart – Poems by Alphafor string quartet and electronics (2020) \n\n\n\n\n\n\n\n\n\n\n\n25 May\, 2024 Programme16:00 \n\n\n\nTania Candiani / Rogelio Sosa – La ofrendaCommissioned by Ensemble KNM Berlin (2022) \n\n\n\nElectronic table by AnA Maria Rodriguez\, Cosima Gerhardt\, Carlos Iturralde and Juan Felipe Waller \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAdi Gelbart – Poems by Alpha \n\n\n\nThe multimedia artist and programmer Adi Gelbart intermingles jazz\, library music\, musique concrète\, weird rock music and even weirder synthesizer sounds to humorously pursue essential questions: How can creativity be defined when man and machine are inextricably united? What if computers take over? For this purpose the human musician Gelbart works with a poetry writing machine called »Alpha«. Rather than trying to pass for human\, Alpha is designed to do as poorly as possible on a Turing test. Together with the string quartet of the KNM\, Gelbart will interpret Alpha’s poems in a concert for strings\, speech synthesis and electronics. The soulful and multi-layered music is meant to build a bridge between the computerized artist and the human audience. The piece takes up Gelbart’s novel Egglike\, which has a soundtrack with lyrics written by Alpha. Composition: Adi Gelbart\, poems: Alpha \n\n\n\nAdi Gelbart\, synthesizer/bass clarinet \n\n\n\nAlicia Urreta\, stage \n\n\n\nEnsemble KNM Berlin Theodor Flindell\, violinMichael Yokas\, violinKirstin Maria Pientka\, violaCosima Gerhardt\, cello \n\n\n\n\n\n\n\nAdi Gelbart\, HKW 2020\, © Yoel Culiner\n\n\n\n\n\n\n\n\n\n\n\nTania Candiani/Rogelio Sosa – La ofrenda (The Offering) \n\n\n\nThe translation between diverse notation and representation systems are key in Tania Candiani’s artistic practice. In »La ofrenda«\, the artist uses dance notation which is the record of four-dimensional body movements (time being the fourth dimension) into graphic signs drawn and written in a two-dimensional system. Based on the book »Folkloric Dances of Mexico« (Zacarias Segura Salinas; 1976\, »Danzas Folclóricas de México«) that suggests an Alphabet of Steps (which is basically a writing system that represents dance sequences with the goal of preserving folkloric traditions)\, the artist proposes a translation gesture: to use the instructions meant for the moving body as instructions for moving and exploring the musical and instrumental space. For this\, she invites Rogelio Sosa to collaborate with her making an interpretation of these notations\, graphics and instructions and translate them into an improvisation score. This way\, specific variations will be assigned to the instrumental ensemble in both directions\, through musical interpretation and through the actual movement of the musicians in space\, turning the bodily instructions into new musical and performative values. »La ofrenda« (the offering)\, is a traditional dance of Huichol origin that is danced in Colotlán\, Jalisco during the patron saint festivities of Saint Peter’s Day and Holy Thursday of the Ascension. \n\n\n\nDuration: 20 minutes \n\n\n\nJuan Felipe Waller\, maracasJosé Manuel Alcantara\, ukulele \n\n\n\nAlicia Urreta\, stage \n\n\n\nEnsemble KNM BerlinTheodore Flindell\, violin ｜ Michael Yokas\, violin ｜ Kirstin Maria Pientka\, viola ｜ Cosima Gerhardt\, violoncello \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nElectronic table by AnA Maria Rodriguez\, Cosima Gerhardt\, Carlos Iturralde and Juan Felipe Waller \n\n\n\nThe three artists recycle the sound of paper and cardboard found in Mexico City. Once these materials were wood\, then packaging material – now they are used as instruments and reactivate the poetry that is inherent in their first life\, in nature. \n\n\n\nDuration: 15 mintuesAnA Maria Rodriguez\, Cardboard box\, Electronics ｜Cosima Gerhardt\, Violoncello\, Cardboard box｜Carlos Iturralde\, Electronics｜ Juan Felipe Waller\, Cardboard box\, Electronics
URL:https://kammerensemble.de/veranstaltung/reading-music-mexico/
LOCATION:Casa del Lago\, Juan José Arreola Cultural Center\, Bosque de Chapultepec Primera Seccion S/N\, San Miguel Chapultepec I Secc\, Miguel Hidalgo\, CDMX\, 11850\, Mexiko
CATEGORIES:Konzert
ATTACH;FMTTYPE=image/jpeg:https://kammerensemble.de/wp-content/uploads/2024/03/Casa-del-lago.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240527T200000
DTEND;TZID=Europe/Berlin:20240528T210000
DTSTAMP:20260505T205027
CREATED:20240304T134912Z
LAST-MODIFIED:20240326T181002Z
UID:2626-1716840000-1716930000@kammerensemble.de
SUMMARY:flowers\, sound & cardboards
DESCRIPTION:CMMAS – Casa de la Cultura de Morelia\, Mexico \n\n\n\n\n\nflowers\, sound & cardboardsa concert performance \n\n\n\nAnA Maria Rodriguez\, music\, cardboards\, electronicsCosima Gerhardt\, violoncello\, cardboardsThomas Bruns\, video\, sound
URL:https://kammerensemble.de/veranstaltung/in-nature-alone-are-forms/
LOCATION:Centro Mexicano para la Música y las Artes Sonoras (CMMAS)\, Mexico\, Av Morelos Nte 485\, Centro histórico de Morelia\, Morelia\, 58000\, Mexiko
CATEGORIES:Konzert
ATTACH;FMTTYPE=image/jpeg:https://kammerensemble.de/wp-content/uploads/2024/03/47471.jpg
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